HOLDING JAYNE



Reporter 2: Surveillance - Roadside Assistance - Witness - The Key is in the Clues - Chair With a View


RESOLUTION: 640x480 PIXELS - TOTAL PLAYING TIME: 1 HOUR 50 MINUTES

1. REPORTER 2: SURVEILLENCE (14 minutes)
Jane Smith is back for some more investigative reporting. This time, she and her long-suffering cameraman Bob are supposed to be capturing on film the meeting between a drug supplier and his buyer in an old junk yard. Jayne talks Bob into accompanying her, but Bob has a date for the evening and is unwilling to stay later than six o'clock. Thinking she will talk him round, Jayne buys a couple of large coffees to help them get through a long day of surveillance.

At six, Bob leaves Jayne to it, much to her annoyance. Unfortunately, left on her own, Jayne falls asleep and does not surface until sunrise the next day. By then, the coffee has well and truly worked its way through her, and she wakes with an achingly-full bladder. She sees that a meeting is actually taking place, and does her best to take photographs of the exchange. She quickly calls Bob, telling him to get there as fast as possible to capture the event on film.

Unable to hold it any longer, Jayne is forced to climb into the back of the vehicle and pee into the empty coffee cups. She is frantic because she is missing the action, but she simply has no choice but to empty her bursting bladder first, or wet her clothes and the car seat.

Relieved, Jayne resumes taking photos. The wet patch on the seat of her trousers shows that she didn't quite pull them down in time to completely avoid pee damage. Assured that she has obtained at least some still photos of the drug deal, Jayne proceeds to open the vehicle door and pour the contents of the cups onto the grass verge, anxious that Bob should not guess what she had to do.


2. ROADSIDE ASSISTANCE (17 minutes)
(Story: 15 minutes; Behind the Scenes: 2 minutes)
Jayne is taking a short cut on her way home from work, hoping to avoid some of the rush hour traffic. Alas, her car breaks down on a quiet country road in the middle of nowhere. The only habitation is a solitary house in the woods, away down the hill. Jayne steps out of the car, feeling a powerful urge to pee, but decides to hold it since someone is sitting in the garden outside the house, and she does not want to be seen hobbling off into the woods to find relief. Jayne uses her cell phone to call a garage for assistance - she does not have AAA cover. She is told to wait by the vehicle and a mechanic will be there shortly. She paces up and down, struggling with her full bladder as she waits for help to arrive.

As her situation grows serious, Jayne decides to swallow her pride and walk down to the house to ask the man sitting in the garden if she might use his bathroom. To her immense relief, he agrees, but just before she enters the house, he tells her that another vehicle is approaching along the road. Jayne has no choice but to dash back to her car without a visit to the bathroom.

The mechanic turns out to be an incompetent hick, a nightmare for a woman alone. He messes about with the engine for a minute, then tells her he can't see what is wrong with it. He goes back to his own vehicle, supposedly to find a schematic for this particular vehicle, leaving Jayne dancing in desperation. As she becomes frantic to pee, she asks the mechanic how much longer he is going to be. He tells her that he can't identify the problem, and that he will go and radio the garage to send out a tow truck, instructing her to wait to sign the necessary paperwork. Jayne tries to hold on, but her bladder is ready to explode, so she has no choice but to stand in front of her car and wet her skirt and underwear.

When she has finished, Jayne quickly removes her pantyhose and tosses them into the verge just before the mechanic comes back. The man glances at the wet patch in front of the car, perhaps wondering if the radiator is leaking. It would certainly not have crossed his mind that it was the beautiful woman in front of him who sprang the leak.


3. WITNESS (27 minutes)
(Story: 24 minutes; Behind the Scenes and Out-Takes: 3 minutes)

Jayne has received a subpoena to give evidence in a trial where she is the key witness to her former boss, John Farrell, embezzling funds from his employees' pension fund. Just as she is starting out for the court house, an armed man stops her at gunpoint and forces her back inside her house. She sits in her office for a while, until her captor asks her to cook him some lunch. She clears up the kitchen and then microwaves a ready-made meal. At this point, Jayne asks if she might use the bathroom, but when her captor explains that she can only go if he is in the bathroom with her, she tells him that she will hold it.

The time-line shifts to the evening. Jayne is obviously uncomfortable but makes not further requests for a visit to the bathroom. Her captor is tired and wants to sleep, so he takes Jayne to the bedroom and handcuffs her to one of the bed posts, leaving her to spend the night like this. By early morning, Jayne is desperate to pee and calls for help. Her captor finally relents and lets her go into the bathroom alone, but when he catches her trying to climb out of the window, he marches her back to her office and forces her to handcuff one wrist to the chair back. He then leaves to fix himself some breakfast and coffee, leaving Jayne to frantically pee dance as she struggles to get free of the bracelet attaching her to the chair. Unable to wait any longer, Jayne lifts her skirt and pees on the floor. Afterwards, she peels off her wet panties and throws them down next to the wet patch on the carpet.

BEHIND THE SCENES COMMENT: The action in this movie is slow and measured, with the scenes played out somewhat as you might expect in a TV movie. Jayne's desperation mounts slowly and she does not overplay her need to pee. Filming the story took several hours with Jayne needing to pee throughout, so by the time she finally gets to empty her bladder, she really needed to go. The flow is both fast and loud, and exactly what would expect after such a protracted wait for relief.


4. THE KEY IS IN THE CLUES (26 minutes)
(All Behind the Scenes)
Let's play a game. Jayne, her bladder uncomfortably full, locks herself in handcuffs, arms behind her back, and must then solve a number of riddles in order to find the key to free herself and use the bathroom. There are five riddles, each containing a clue to the location of the next, and the last holding the answer to the key's location. Perhaps you think the riddles are really easy? Here's the first one:

The first clue lies inside a box,
Behind a door that never locks;
Handy things live in this hole,
That stop your fingers getting cold.

Can you work out the solution? Will Jayne manage to solve all the riddles before she is forced to wet her jeans? And what happens if she can't solve any of the riddles and can't get the handcuffs off? This could be a long, damp day for Jayne if she can't find her way through the maze of clues.


5. CHAIR WITH A VIEW (26 minutes)
(All Behind the Scenes)
It's morning, and Jayne has not been up long. Naturally, she has breakfast while holding a full bladder, then steps out onto the deck where her wrists and ankles are secured to a chair arms and legs with plastic ties. She must sit with her legs apart; no leg-crossing or squeezing her thighs together to suppress the urge to pee. She must rely solely on her sphincter muscles to help her.

Jayne chats to the cameraman as she admires the view, and recounts a story of public desperation and wetting that occurred just a few weeks before. Having a hard time holding it, especially while talking about peeing, Jayne starts to leak. A wet patch forms in the crotch of her jeans which grows steadily bigger as the movie unfolds. To stop her letting the rest go too soon, the cameraman tells her that he wants at least 20 minutes of film, and after this, Jayne counts down to the moment when she can finally relax her tiring muscles and release the rest of her pee.

Please note that, while the dialogue may suggest Jayne has no choice but to hold on, she is completely in control of the situation. For example, she would be freed immediately upon request. We never force models to do anything against their will.


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Reporter 2: Surveillance

Roadside Assistance

Witness

The Key is in the Clues

Chair With a View

Extras
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