RESOLUTION: 640x480 PIXELS - TOTAL PLAYING TIME: 75 MINUTES
1. MUST FIND SOMEWHERE (32 minutes)
(All behind-the-scenes)
I don't think I have ever seen Beverley so anxious to gain relief from a full bladder. This movie shows her bursting to go while driving. She becomes so frantic that she loses her temper and becomes a little abusive. That's when you know the bladder really is about to burst! This is DEFINITELY her most intense desperation movie to date.
We set out with Bev driving, her bladder uncomfortable but by no means close to bursting. She had consumed a coffee and several glasses of water beforehand, but she failed to take into account that she had been filling herself up for a prior movie, then not let it all out. The consequences for her were disastrous.
Despite the rural nature of the area we're traveling through, there is just nowhere to pull off and stop. Houses line every road, even the smaller ones. Bev started driving faster and growing agitated. When she started to swear, something she very seldom does, I knew she was in trouble. I stopped the camera for a minute to check on her, and she said that the urge to empty her bladder had suddenly intensified and that she was now really desperate. She wanted advice on where to go to find a deserted stretch of road where she could hop out and relieve herself, but such stretches were few and far between in this part of the world.
As the minutes passed, Bev grew steadily more frantic and angry. Her language deteriorated as she made turn after turn, only to find each road lined with more houses, affording her no place to stop and do something about her excruciatingly-full bladder. To make matters worse, we realized that we'd even forgotten to bring along a plastic bag for her to sit on, after which the air really started to turn blue.
Literally about to wet herself in the car, Bev finally stumbled onto a short stretch of road that didn't boast any houses... or so she thought at first. Alas, just a few hundred yards along it lay more properties and parked cars. Unable to wait any longer, Bev turned the car around, pulled into the roadside, hopped out, stumbled across a patch of icy snow, struggled with the button on her now rather-tight jeans, and started to wet herself.
While she was relieving herself, I heard two car engines start up behind me and knew what was about to happen. Sure enough, both cars passed by as she was urinating through her jeans, with me filming her doing so. The vehicles slowed, but fortunately the drivers decided not to stop. Bev cursed with embarrassment. As the vehicles moved away, she decided that she might as well finish the job and finished emptying her bladder, leaving a yellow patch on the snow.
Back inside the car, She used the owner's manual to sit on, and actually drove back sitting on just one cheek. She might have been uncomfortable, but she was a lot calmer now, and she apologized for her earlier language.
The irony of this incident is that, several days before the shoot, bev had sent me an e-mail saying that she didn't really want to do another car movie since she always became irritable when driving and holding a full bladder. I talked her into it, saying we'd not get her quite so desperate this time. As it turned out, she miscalculated and did it to herself! Poor Bev. She says all is forgiven. At least the cameraman survived, something that was far from certain when she was bursting at the wheel!
Right at the end of the movie, we take a good look at Bev's wet jeans.
2. THE AIRLINE STEWARDESS (15 minutes)
(Story: 12 minutes; behind-the-scenes: 3 minutes)
Beverley brought along a dress that she thought resembled the kind of uniform air stewardesses (when they were still called that) used to wear back in the seventies. This inspired the idea of a simple scenario where she has just arrived home after a long tour of duty and is dozing off in front of the fire, when the phone rings. It's her boss calling her back to work because the airline is short-staffed.
Preparatory to leaving, Bev enters the bathroom to pee and is coshed from behind. Perhaps someone does not want her reporting for duty that evening, but we'll never know for sure. When she wakes, Bev is back in front of the fire, only now she is bound and gagged and her bladder is getting seriously full.
Bev manages to reach round far enough to pull the duct tape from her mouth, then she calls out to see if anyone is still in the house. Afraid that she might pee on the carpet, she rolled and slides her way to the bathroom where she opens drawers, looking for something to cut hthrough her bonds. Unable to find anything in time, she sits on the bathroom floor and wets her panties.
At the end, Bev, now free, shows us her wet panties, just to make sure we get a good view. She's such a thoughtful girl. I hope next time I fly on that airline, I'll have a stewardess dressed like her!
3. OUT IN THE COLD (8 minutes)
A short movie where Beverley arrives home with a full bladder, parking her car a little distance from the house because of ice, and then finding when she reaches the door that she has left her keys are back in the car. She walks back, only to discover that the keys are not where she thought they were.
What should she do now? Going into the woods on ice-covered snow is hardly feasible in her high heels, and no one else is expected home for a while yet, so she decides she may as well pee in her shorts and fishnet pantyhose.
At the end, I suggested that Bev might like to show us her wet panties. That's when she confessed that she wasn't wearing any.
4. TRYING TO RELAX (20 minutes)
A little elegance coupled with some voluntary desperation to pee is the theme of this movie. Bev is reclined on a whicker couch in a denim dress and fishnet stockings, reading a book, eating cherries and holding on to a full bladder. She tells you that she needs to pee, and how she doesn't want to go and use the toilet. She lays there holding it, growing steadily more fidgety as the minutes pass. There is a nice scene where you can see the pee streaming down her leg through the holes in the fishnets.
There is no interaction with the cameraman except at the end where there is a behind-the-scenes look at the wet patches on Bev's denim dress.